4/13/2023 0 Comments Spl deverb torrent![]() ![]() Of course, the best solution here is to choose a suitable environment to record those drums in, alongside careful selection and placement of microphones but… that’s not always possible. RIGHT – Hamilton Mausoleum WET – Source: Wikipedia ![]() Make the room bigger, give it a more intricate structure, and thousands upon thousands of tiny echos will add together to create a slow decay to the sound – reverb… The moment you place the drums in a real room, you are going to get reflections from the room – ambience. Here, there would be no reflections from the walls, ceiling or floor, and you would only hear the attack of the drums and the natural decay from their shells. ![]() Also, I’m doing this in Cubase, but this will work in Logic X, Pro Tools, Reaper, Studio One, FL Studio, SONAR – whatever your flavour of DAW…įirstly – what do I mean by De-Verb? Imagine recording Drums in an Anechoic Chamber. No time now to go into Polarity Inversion, Phase Inversion, the differences between them – you want that, read the daddy of articles over on Sound on Sound – Phase Demystified. We’re going to do something along those lines here… so make sure you’re familiar with the operation of the Phase/Polarity invert button -> it’ll look something like this (Orange in this Image). This idea stems from a chat I had with the excellent Bruce Aisher a while back on how Brian Eno (it would be, wouldn’t it )) used phase/polarity inversion during mixing. ![]()
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